Reviews
MTO 10.4: Schmalfeldt, “Coming Home”
A Study of Brahms's Romanzen aus Tieck's 'Magelone, Op. 33 POON Ching Man A Thesis Submitted in Partial Fulfillment of the Req
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
Absence of the Self (Chapter 7) - Music, Subjectivity, and Schumann
Hearing Selves (Chapter 3) - Music, Subjectivity, and Schumann
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
Hearing Subjects (Part I) - Music, Subjectivity, and Schumann
TOWARDS A NARRATOLOGICAL ANALYSIS OF THE ROMANTIC LIED: EVENTS, VOICE, AND FOCALIZATION IN NINETEENTH-CENTURY GERMAN POETRY AND
TOWARDS A NARRATOLOGICAL ANALYSIS OF THE ROMANTIC LIED: EVENTS, VOICE, AND FOCALIZATION IN NINETEENTH-CENTURY GERMAN POETRY AND
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
MTO 10.4: Schmalfeldt, “Coming Home”
Reading Schumann By Way of Jean Paul and His Contemporaries - College Music Symposium
A Study of Brahms's Romanzen aus Tieck's 'Magelone, Op. 33 POON Ching Man A Thesis Submitted in Partial Fulfillment of the Req
The inner musical workings of Robert Schumann, 1828-1840 : in two volumes
PDF) Carl Loewe's "Gregor auf dem Stein": A Precursor to Late German Romanticism | Brian Witkowski - Academia.edu
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
Schumann's Opus 39 Liederkreis - The Story of An Engagement | PDF | Robert Schumann | Napoleon
Parallelism Between Songs and Piano Works of Robert Schumann Akkra Yeunyonghattaporn Schulich School of Music, McGill University
University Press, 2000. vii, 270 pp.
MTO 7.5: Hoeckner, Poet's Love and Composer's Love
Hearing Absence (Part III) - Music, Subjectivity, and Schumann
The Journey of the Song Cycle: From â•œThe Iliadâ•š to â•œAmerican Idiot"
TOWARDS A NARRATOLOGICAL ANALYSIS OF THE ROMANTIC LIED: EVENTS, VOICE, AND FOCALIZATION IN NINETEENTH-CENTURY GERMAN POETRY AND
